REVIEW: “Funny Girl” at the Mac-Haydn

by Roseann Cane A small number of American musicals seem inseparable from the actors who originated the lead roles. For devotees of musical theater, Yul Brynner is The King and I; Robert Preston, The Music Man; and of course, Barbra Streisand is Funny Girl. Contemporary actors cast in these roles have a special burden in…